Ancient literati painting represents landscape (HD)

文人画泛指我国古代文人、士大夫所作之画,一定程度上体现了古代文人的文心、诗情、画意,任性率真的独立人格和自然洒脱的清新画风,对传统美育思想及水墨、写意等技法的发展有一定的影响传统文人画是诗中有画,画中有诗。文人画四个要素:人品、学问、才情和思想;讲意气,强调”得意忘形”,以”气韵生动”为最高的审美标准。

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巨然 万壑松风图 绢本墨笔 上海博物馆藏

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徐熙《雪竹图》

苏轼的文人画思想在中国绘画史上的影响较大。在画作方面,即便其流传后世的作品极为罕见,但是苏轼的关于绘画的观点有着自己的独到见解,为后世文人画的繁荣奠定基础。

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北宋_苏轼_墨竹图

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米芾 春山瑞松图

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宋 米芾 翠微深处图

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北宋_米芾_云山烟树图

元代文人画是在特殊时代背景下形成的一种艺术风格,对后世影响十分广泛,在一定程度上主导其后六百年文人画的发展。元代文人画最大的特点在于它重写意,一改南宋院体画的甜媚华丽,开始追求文人意趣,并提出“书画同源”、“书法用笔”等艺术主张。以赵孟頫、高克恭、元四家为代表。

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赵孟頫 鹊华秋色图

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赵孟頫 洞庭东山图

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元 黄公望 丹崖玉树图

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元 王蒙 春山读书图轴

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元 倪瓒 渔庄秋霁图轴

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Ancient literati painting represents landscape (HD) Photo 26

元 吴镇 渔父图

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吴镇 溪山高隐图

明时期文人审美趣味呈现出稚拙天真、淡雅朴素和舍质趋灵的文化情怀, 文人画代表主要以浙派代表画家戴进、吴伟为代表。

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明 戴进《溪堂诗意图》

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明_戴进_溪桥策蹇图

吴门画派将明代文人画推向高潮,主要代表人物则是吴门四家,沈周、文征明、唐寅、仇英,晚明代表画家董其昌。

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Ancient literati painting represents landscape (HD) Photo 36

明 沈周 东庄图册

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文徵明 秋江饯别图 立轴

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唐寅 落霞孤鹜

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仇英 山水

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明_董其昌_芳树遥峰图

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明_董其昌_仿米潇湘白云图

清代出现诸多文人画家,以“四僧”为代表,“四僧”中以八大山人、石涛最为突出。

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朱耷 孤禽图

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朱耷 芙蓉

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朱耷 葡萄

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石涛 古木垂荫

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石涛 溪桥野色

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石涛 南山为寿

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弘仁 松岩放艇

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弘仁 山水 立轴 水墨纸本

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髡残 人物图页

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清 髡残 秋晖蒙钓矶

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清 髡残 结社林泉图

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