1, first outline the outline and structure of the mountain, from near to far step by step. Drawing with pure ink on clay gold paper is a bit like drawing with pencil on paper. Where there is a need to highlight the spatial relationship between front and back, you can use repeated ways to deepen the color like pencil, but don’t repeat too many times.
Draw overlapping trees according to the mountain, draw tree trunks first, and let each tree grow on the mountain structure. Then draw leaves, from near to far from virtual to solid. This painting is a pine tree, so it is full of pine needles. The light and light of pine needles are organized according to the overall spatial relationship and the primary and secondary of the picture.
3, after drawing all the contents of the picture with the ink line, begin to use warm colors such as cooked brown, ochre, vermilion according to the spatial relationship and cold and warm relationship of the picture thin layer of warm color on the dark part of the picture, pay attention to the warm color is different from the front to the back, not the same.
4, with stone green, stone green, lake blue, garcinia, cooked brown and other colors to deploy the cold and warm relationship of different cyan green for the overall mountain paving background color. Pay attention to the change in the relationship between cold and warm, and there are color changes from left to right from front to back.
The last step is to add white paint. This is also the most critical step, with white and stone bluestone green, lake blue, cobalt blue and other colors to deploy the bright part of the rock, according to the potential of the mountain pen, when you use the baisou deployment of color brightening, you will find that the whole picture has a wonderful sense of layer and space, the overall stone adds a strong sense of volume, especially the ubiquitous gold from the bottom of the picture. Give the picture a special spatial feeling.
6, the last step, the overall adjustment, printing withdrawal.
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